A murder mystery, a call to arms and an effective inducement to rage, Who Killed the Electric Car? is the latest and one of the more successful additions to the growing ranks of issue-oriented documentaries. --The New York Times
If $3-a-gallon gasoline doesn't make you hate the big oil companies, the shocking revelations in Chris Paine's thought-provoking documentary Who Killed the Electric Car? will.-- V. A. Musetto, New York PostGeorge Santanya once wrote, “Those who cannot remember the past are condemned to repeat it.” An understanding of the past is critical in interpreting the present, with the hope of resolving problems in the future.--Jeffrey A. Wallace, "Ideology vs. Reality," 28 July 2003, p. 697
When the new Democrat majority on Capitol Hill convened the 110th Congress in January 2007, House and Senate leaders failed to investigate a second sensational--yet marginalized--fraud in addition to ferreting out which Bush White House officials aided Kansas GOP Senator Pat Roberts in fixing prewar intelligence that has condemned 4,000 American sons and daughters to early deaths in the U.S. petroleum industry's Big Oil War in Iraq.
The second corporate fraud conveniently "overlooked" by Dems was unfolding during the one ongoing in Iraq: GM abetting Big Oil to kill a promising alternative to carbon-based transportation at a time when global warming confronts humankind.
During his 9 June 2006 PBS appearance, documentary filmmaker Chris Paine (right) told P.O.V. "[The film] is about why the only kind of cars that we can drive run on oil. And for a while there was a terrific alternative, a pure electric car."
PBS program notes for Paine's revealing film, produced and distributed by Sony Pictures Classics, continues:
In 1996, General Motors (G.M.) launched the first modern-day commercially available electric car, the EV1. The car required no fuel and could be plugged in for recharging at home and at a number of so-called battery parks.
Many of the people who leased the car, including a number of celebrities [including a bearded Mel Gibson before his infamous run-in with CHP last year], said the car drove like a dream.
"...the EV1 was a high performer. It could do a U-turn on a dime; it was incredibly quiet and smooth. And it was fast. I could beat any Porsche off the line at a stoplight. I loved it," Actress, Alexandra Paul told NOW.
After California regulators saw G.M.s electric car in the late 1980s, they launched a zero-emissions vehicle program in 1990 to clean up the state's smoggy skies.
But it was not to be. A little over 1,000 EV1s were produced by G.M. before the company pulled the plug on the project in 2002 due to [as Paine shows in the film, GM's fraudulent definition for] insufficient demand. Other major car makers also ceased production of their electric vehicles.
In the wake of a legal challenge from G.M. and DaimlerChrysler, California amended its regulations and abandoned its goals. Shortly thereafter, automakers began reclaiming and dismantling their electrics as they came off lease.
Some suggest that G.M. -- which says it invested some $1 billion in the EV1 -- never really wanted the cars to take off. They say G.M. intentionally sabotaged their own marketing efforts because they feared the car would cannibalize its existing business. G.M. disputes these claims....

Remarkably, GM never sold any EV1's to the American public, offering cars only to California and Arizona residents through fixed-term leases. After misrepresenting the "lack of consumer demand" (a point Paine develops) while saying the car was too expensive to manufacture, GM canceled its six-year program in 2003--the year of the US-led invasion of Iraq for the world's third-largest oil reserves--and crushed its entire fleet of 1200 electric cars in the Arizona desert.
Leave it to the business-minded in Corporate Amerika to erase all evidence of how close we came to scaling about the transportation component of America's #1 ranking in carbon emissions. (1)
On Sony Picture's release of Paine's documentary in the summer of 2006, Jon Stewart, host of Comedy Central's Daily Show, interviewed the filmmaker on 2 August (5 minutes, 46 seconds).